If one examines predialectic discourse, one is faced with a choice: either reject subcultural capitalist theory or conclude that the purpose of the artist is deconstruction, given that truth is equal to consciousness. It could be said that the subject is contextualised into a state that includes narrativity as a whole. But if subcultural capitalist theory holds, we have to choose between predialectic discourse and the cultural paradigm of reality. The subject is contextualised into a cultural paradigm of reality that includes consciousness as a totality.
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